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, “a place of seeing.” A theatre usually has a stage area where the performance itself takes place.

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In the beginning, admission was free; later, when a charge was levied, poor citizens were given entrance money.

It seems reasonable to assume, from the size of the theatres, that the actors performed on a raised platform (probably called the , or “speaking place”) in order to be more visible and audible, while the chorus remained in the orchestra.

On a completely open stage such substitutions were delayed, and the suspense of the drama was dissipated.

Dramatic plausibility was also vitiated by the fact that gods and mortals, enemies and friends, always entered from the same direction.

These screens were made of dried animal skins tinted red; it was not until Aeschylus that canvases in wooden frames were decorated according to the needs of a particular play.

Aristotle credits Sophocles with the invention of scene painting, an innovation ascribed by others to Aeschylus.

Little survives of the theatres in which the earliest plays were performed, but essential details have been reconstructed from the architectural evidence of the ) leading to the altar (thymele).

Nearby was the temple out of which the holy image would be carried on festival days so that the god could be present at the plays.

In later times there was a high stage, with a marble frieze below and a short flight of steps up from the orchestra.

The great , there were 50 members of the chorus, but in his other plays there were only 12, and Sophocles called for 15.

According to another convention, actors entering from the right were understood to be coming from the city or harbour and those from the left to be coming from the country.

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